Biggie's Final Masterpiece Was Ahead Of Its Time

CLEVELAND - Rap legend The Notorious B.I.G. blasted onto the music scene with a stunning debut that meticulously detailed the harsh realities of the crime infested streets of urban America.

His sophomore album took all of that to another level.

Today marks the 12th anniversary of the bittersweet release of Life After Death, a sprawling double CD produced by Bad Boy Records CEO and founder Sean Combs (as Puff Daddy) and starring the master of lyrical dexterity, Christopher Wallace (as B.I.G.). Of course, the fervor over the highly anticipated album was both dampened and elevated with Biggie's shocking murder in Los Angeles three weeks prior to the LP's release. Even still, the album was a true classic and further affirmed what we all knew; Biggie was a giant in his field and was getting better.

Life After Death was noticeably different from B.I.G.'s 1994 debut, Ready to Die. On this LP, he was more refined, polished and of course, accomplished. His life had become one of immense success and decadent pleasure. As a result, the gritty complexion of Ready to Die was present only in spurts. This album was a celebration of surviving the streets, while still tethered to them in the subtlest of ways.

Combs, then a 27-year old entertainment mastermind with a remarkable sense of what would best get his target audience's attention, was the man who urged Biggie to craft more mainstream music. It was his shrewd way of getting B.I.G. to appeal to a wider range of people while retaining his street credibility.

It was a flawless concept.

That 1997 album was clearly ahead of its time. Biggie's narrative was deliberately theatrical and it told the tale of a Brooklyn hustler turned Madison Avenue superstar. The hustler still existed in him and was even gangster-like if need be. But outwardly, the stunning ascension was something to celebrate and for his followers, even strive to emulate. Other rap albums of that time wasn't even close to being this complex. Study the epic set a little closer and notice Biggie adopting different rhyme schemes ("Notorious Thugs"), delivering a song in rap form, then delivering it again in conversation form ("I Got a Story to Tell"), and even paying tribute to the West Coast ("Goin' Back to Cali") even though he was clearly persona non-grata out there.

Life After Death will forever be Christopher Wallace's magnum opus. It will also always be the historical artifact that cemented his legacy.