CLEVELAND - Anytime an artist of any kind is unable to finish a project of their own creating by virtue of their unexpected death, there's always a sense of what might have been mixed with a lot of frustration. Michael Jackson is now the latest creative genius this has happened to.
But the results, though not perfect, actually impress.
Today marks the release of Jackson's first full album of "new" material in nine years. Entitled Michael, the album has received the predicted amount of criticism, bashing and unacceptance by many in the media and more than a few fans, many of whom question if it's actually MJ's voice on the recordings or a bootleg impersonator. However, after a few careful listens, I can say with great confidence that it's indeed Michael...assisted (necessarily) by savvy studio production here and there, which surprisingly doesn't overshadow the soaring beauty of his vocals.
Of course, MJ was shockingly taken from us (his multi-millions of devoted fans) 18 months ago, so this album isn't truly Michael. He was famous for being a meticulous perfectionist with his art, so the cut-n-paste nature of this latest offering would surely gain his ire. That fact is sort of besides the point when evaluating this record. Comprised of 10 different songs recorded over a 28 year period, Michael has a few notable moments. The Akon duet "Hold My Hand" is a beautiful and uplifting song and finds MJ in excellent voice.
The cautionary tale "Hollywood Tonight" is also better than expected. "Keep Your Head Up" sounds a lot like the anthemic style songs from Jackson's 1991 album Dangerous but is still a great listen. On "(I Like) The Way You Love Me," Michael's voice is pure elegance, his vocal delivery as soft as silk. "Monster," a track featuring 50 Cent is boisterous and aggressive and actually works well sandwiched between the ballads and slow tempo tracks.
Maybe my favorite track of all is "Behind the Mask," which was allegedly recorded during Michael's legendary Thriller era prime of the early 1980's. Whatever the case, it's an excellent track.
Yes, Michael made far better albums in his career than this, but understand that his two best, Off the Wall and Thriller were made before he'd set an impossible standard of greatness and unprecedented success for himself. Anything he made post 1983 would never be able to scale such a high and slippery mountain. Also, it must be remembered that the tracks on this new album were things he either purposely rejected many years ago or things that were still works in progress at the time of his death.
He didn't release this. His estate did.
When those factors are considered, it becomes a must to crown the new album as not only a success, but a delicious treat for his endless array of fans around the world who are grinning from ear to ear and dancing in the streets at the opportunity to hear our beloved hero one more time singing with that beautiful and indelible voice.
Much love, Michael.
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