Friday, December 17, 2010

Larry King Deserves More Praise For Iconic Career

CLEVELAND - With a few bittersweet words and obviously suppressed tears, Larry King ended his venerable prime-time show last night after 25-plus years of historic interviews with major celebrities, politicians and everyone in between.

It was a moment of great significance and palpable emotion.

King, 77 hosted CNN's Larry King Live since 1985 and predictably became a ubiquitous staple of prime time cable television. On his swan song show last night, President Obama called him a giant in broadcasting, the most apropos and succinct evaluation of the man.

King had a reputation as an interviewer who asked too many simple, softball questions of his guests. He's most recently been labeled by critics and other observers as a has-been relic from a bygone era. Ratings for his show have been in decline for some time, which in part prompted King to announce his retirement in June as a pre-emptive strike over the powers that be at CNN.

Forget all of that. King never stopped being a pivotal conduit to pop culture and the major news events of our times. He interviewed every U.S. president since Richard Nixon, covered major celebrity stories such as the historic O.J. Simpson case and death of Anna Nicole Smith extensively as well as major news events such as the 2001 terrorist attacks and Hurricane Katrina in 2005.

Every night at 9PM EST, King was the man to see to be updated or informed on current events. I always thought of him as must-see TV whenever a news event occurred that I cared greatly about. Last year, King's coverage of the great Michael Jackson's death was what I was most interested in seeing from a journalist. He later broadcast live from Jackson's former storied estate Neverland with MJ's brother Jermaine. This year on the one year anniversary of Michael's death, King broadcast live from outside of MJ's burial site. As always, Larry King went a few steps further in his coverage of current events.

I wish more people besides his broadcasting peers realized his significance and gave him his just due. Not only did King host his show for 25 years, but his overall broadcasting career spans 50 total years. He was, in many ways a more journalistic Johnny Carson. Not nearly as funny or entertaining, but just as present in our homes and as trusted with the delivery of breaking news as was Walter Cronkite.

I was never a wearer of prescription eyeglasses and suspenders (both major King trademarks), but Larry King has inspired me for around 20 years. As an interviewer of people, I most admire his everyman style, i.e. asking major stars questions that the common man would. He wasn't trying to adhere to typical lines of questioning. He was, at his core a person who's curious as to how other people think.

I salute you, Mr. King. Journalism is forever indebted to you, sir. And so am I.

Tuesday, December 14, 2010

Despite Criticisms, New Michael Jackson Album Impressive

CLEVELAND - Anytime an artist of any kind is unable to finish a project of their own creating by virtue of their unexpected death, there's always a sense of what might have been mixed with a lot of frustration. Michael Jackson is now the latest creative genius this has happened to.

But the results, though not perfect, actually impress.

Today marks the release of Jackson's first full album of "new" material in nine years. Entitled Michael, the album has received the predicted amount of criticism, bashing and unacceptance by many in the media and more than a few fans, many of whom question if it's actually MJ's voice on the recordings or a bootleg impersonator. However, after a few careful listens, I can say with great confidence that it's indeed Michael...assisted (necessarily) by savvy studio production here and there, which surprisingly doesn't overshadow the soaring beauty of his vocals.

Of course, MJ was shockingly taken from us (his multi-millions of devoted fans) 18 months ago, so this album isn't truly Michael. He was famous for being a meticulous perfectionist with his art, so the cut-n-paste nature of this latest offering would surely gain his ire. That fact is sort of besides the point when evaluating this record. Comprised of 10 different songs recorded over a 28 year period, Michael has a few notable moments. The Akon duet "Hold My Hand" is a beautiful and uplifting song and finds MJ in excellent voice.

The cautionary tale "Hollywood Tonight" is also better than expected. "Keep Your Head Up" sounds a lot like the anthemic style songs from Jackson's 1991 album Dangerous but is still a great listen. On "(I Like) The Way You  Love Me," Michael's voice is pure elegance, his vocal delivery as soft as silk. "Monster," a track featuring 50 Cent is boisterous and aggressive and actually works well sandwiched between the ballads and slow tempo tracks.

Maybe my favorite track of all is "Behind the Mask," which was allegedly recorded during Michael's legendary Thriller era prime of the early 1980's. Whatever the case, it's an excellent track.

Yes, Michael made far better albums in his career than this, but understand that his two best, Off the Wall and Thriller were made before he'd set an impossible standard of greatness and unprecedented success for himself. Anything he made post 1983 would never be able to scale such a high and slippery mountain. Also, it must be remembered that the tracks on this new album were things he either purposely rejected many years ago or things that were still works in progress at the time of his death.

He didn't release this. His estate did.

When those factors are considered, it becomes a must to crown the new album as not only a success, but a delicious treat for his endless array of fans around the world who are grinning from ear to ear and dancing in the streets at the opportunity to hear our beloved hero one more time singing with that beautiful and indelible voice.

Much love, Michael.

Thursday, November 25, 2010

West's Genius Dominates New LP

CLEVELAND - For all of his headline grabbing insolence, his occasionally detestable behavior and an ever-increasingly polarizing reputation, Kanye West remains both a music maven and a cultural phenomenon.

Latest evidence: his new album.

That's right. West's 5th solo LP, My Beautiful Dark Twisted Fantasy made its much anticipated debut this week and gained almost universal praise from fans and critics alike. Not only has his writing skills evolved to the point of his lyrics often being choke full of thought provoking relevance, but his production skills continue to ascend. The net result is a brilliantly polished opus long on innovation as well as substance.

The most fascinating thing about the album is West's intuitive ability to blend an enormous ego with a healthy offering of self-examination. He is both psycho-therapist and patient on this record and the balance makes for a greater realization of the man's genius.

After a tempestuous year that saw his already complicated public profile absorb damaging hits, it speaks to his resilience and immense gifts that he's re-emerged better than ever. The album's stand out track, "Runaway" greatly epitomizes his tapestry of musical excellence juxtaposed with his predilection for "being a jerk."

Forget Jay-Z, the hip-hop legend most responsible for Kanye's initial public popularity a decade ago. Forget Taylor Swift, the doe-eyed country music star who was famously disrespected by West at an awards show last year. And forget Kanye himself when he's in "douchebag mode." Instead, remember Kanye West the budding legend and hip-hop innovator. That person more than any of the others is the true sight to behold and the one we should all direct our attention to.

Seriously.

Monday, October 25, 2010

REPORT: Young Filming Movie For Series' 70th Episode

CLEVELAND - Deante Young's notoriously controversial reality series, a Date with Deante has amazed and appalled critics alike in its three seasons. Now, Dirty Truth Films is reporting that the star of the show, Young himself is in the process of filming a movie to end the show's 3rd season.

It will also serve as the 70th episode.

An anonymous source at Young's film company revealed that the movie is entitled, "Renegade" and is scheduled for global release on Saturday, November 12, 2010. No official word from Deante Young has been released as of yet.

Dirty Truth Films did indicate that there might possibly be a special video released later this week in which Young will disclose plot details and an assessment of the soon-to-be-complete 3rd season of the raunchy show.

Sunday, October 3, 2010

The O.J. Simpson Verdict: 15 Years Later

CLEVELAND - Just like nearly everyone else in the U.S., I watched and studied the O.J. Simpson murder trial during the first 9 months of 1995 after having watched the drama that led to it during the final six and a half months of 1994. And here we are today, on the 15th anniversary of the fateful verdict that sent the world into a tizzy.

Where did the time go?

Simpson was born into a challenging world. Poverty stricken and saddled with a leg ailment called rickets, he seemed destined to live an average life at best. But he wound up enjoying a charmed existence of athletic excellence, celebrity and wealth for some 25 years beginning in the late 1960's.

Then he supposedly murdered two people.

Of course, everyone knows the story well. We've all heard about the stunning and callous events that took place at a quaint condo in Brentwood, CA on June 12, 1994. We all know that Simpson's wife Nicole and her friend Ron were the victims of a gruesome double murder and that O.J.'s DNA was all over the crime scene. It is all of that which we know that made the "not guilty" verdicts 15 years ago today so baffling.

To some.

I'll forever marvel at the way O.J. willfully threw his life in the toilet. Not for murdering two people, because I don't know for certain that he did such things. I'm stunned at how he never showed any real grief over the loss of his two youngest children's mom's death. Also, he's behaved as though he was in fact the murderer in the many years since. From near confessions in interviews to a puzzling book that purportedly told of how he would've murdered the victims if he were in fact the assailant, O.J.'s judgment has been AWOL.

It's as if he wanted to be hated worldwide.

I just hope that the two years (of a possible 33) that O.J. has spent so far in a Nevada prison on far lesser charges has given him time to realize his colossal failure in life. Taking such a privileged life and destroying it is simply stupid. But then again, O.J. only told us he was a great athlete and a product pitchman. He never said he was smart...we simply assumed he was.

We were wrong.

Monday, September 13, 2010

Rethinking 2Pac...14 Years Later

CLEVELAND - If someone were to study media reports about Tupac Shakur in 1995, they would have found a consistent pattern of negativity. Whether brought on by his own reckless and menacing ways, or just biased and unfair opinions, the man was as repudiated in the press for his behavior as he was revered in hip-hop for his artistry.

And now, in 2010, the man continues to ascend the ladder of legend.

Today marks the 14th anniversary of his game changing death. Yes it is unreal that it took place that long ago. Back in the days of dial-up, ultra basic Internet. During the Clinton administration but before Monica and her stained dress. Way back when LeBron was a poverty stricken 11-year old unknown. Back when no one had ever heard of  DVDs and cell phones were as rare as a bad game by Michael Jordan and as big as a VHS tape.

His death was THAT long ago.

It's interesting that 2Pac's career started off the way it did. In 1990, he seemed as family friendly and non-threatening as Will Smith. That is when he was nothing more than a roadie for the hip-hop group Digital Underground. But in the three years between 1992 and 1995, 2Pac evolved from a young, militant musician to a notoriously brash criminal who often spoke of and epitomized a "thug lifestyle" of deviant and even felonious behavior. Television images of him often depicted him in handcuffs, in courtrooms or speaking in an animated and ruthless fashion about violence and what he felt was his persecution.

He came off as a peerless troublemaker with no intention of slowing down.

His music became more eerie, violent and contradictory. It also became more polished and popular and by the time he was released from a months long prison stint in the fall of 1995, he was one of the top two superstars in hip-hop along with bitter rival The Notorious B.I.G. He spent the first eight months of 1996 atop the world of rap music thanks largely to the February release of his seminal LP, All Eyez On Me. Now a high-profile member of Death Row Records (and a de facto protege of the villainous Suge Knight), 2Pac decided to tamp up his own hubris and cockiness as he openly and shamelessly basked in the glow of his modified image and Death Row allegiance.

When he was murdered in that now infamous September drive-by shooting in Las Vegas, there was a huge feeling of anger and sadness for both a life lost at just 25, and for a brilliant artist who was too caught up in crafting an invincible street image instead of using his obvious intelligence, ideals and talent to ascend to an ever higher, more significant place in the world. 2Pac could have changed the world in amazing ways that had nothing to do with music. The man was an intellect and a visionary, two terms that never would have been used to describe him during his lifetime.

He's celebrated as an important icon nowadays, but in truth...he was bigger than that. It's a shame he tried so hard to hide that from us while he was alive.

Saturday, September 11, 2010

September 11, 2001: A Perfect Reason To Appreciate Life

CLEVELAND - If the infamous terrorist attacks on the United States nine years ago today can't make a person appreciate the value of life, nothing will.

Such a shame.

With that impossibly awful day still such an indelible aspect of America, I think it should come to symbolize the event that taught the world more than a few sobering lessons. Too often, we get caught up in what we don't have or how much we wish we did have. The senseless and callous murder of some 3,000 people that historic morning serves as a flash point in the evolution of us all; love what you have and appreciate it tremendously because even if others have so much more, there are still others that have so much less.

Seriously.

Imagine what must've went through the minds of the passengers on those doomed airliners once they realized that they weren't going to ever see their loved ones again. What must it have been like to live (even for a few moments) with not being able to kiss their husbands, wives or children ever again? Yes, life is full of struggles everyday and we can't help being angry or overwhelmed by them. But 9/11 is the most seminal event that everyone was affected by in some way that should cause us to prioritize and gain some serious perspective on life.

Love your life, unconditionally. You will one day wish you still had it this good....no matter what it is like at this present moment.

Sunday, August 29, 2010

Michael Jackson: A Birthday Declaration

CLEVELAND - With great sadness and incredible memories, I am celebrating the 52nd anniversary of Michael Jackson's birth in a very interesting way.

I'm declaring the man a Saint.

That is right. A Saint. Of course, I'm not officially qualified to declare anyone as such, but I believe that today is as good a day as any to bestow that high honor on such a world-class individual, whose very being shifted an entire planet's beliefs, sensibilities and standards. Michael Joseph Jackson would have turned 52 today had he not left us 14 months ago, but in spite of his departure, he remains a huge part of our lives.

Especially mine.

Why do I declare the birthday boy a Saint? Why would I seemingly ignore his very public disgraces and questionable character in favor of highlighting his brilliant music accomplishments? Well first off, I'm not speaking of just his brilliance in entertainment. Secondly, those so-called public disgraces had more to do with opinion than fact. His "questionable character" is another opinion that was never explicitly proven. Furthermore, Michael's contributions to this planet over a 45 year span will live on forever, and it's about far more than his music and artistry.

He made the world a better place.

Forget for a moment all the things that the media reported about MJ's private life. Look past the stunning transformation his face underwent during the last 30 years of his life. Disregard all the biased media reporting about the man that was based on opinion, conjecture and prejudgments.

What are we left with? Just facts.

The facts about Michael Jackson are as follows: He lived a very high-profile, stress filled abnormal life from the time he was a small child. He was teased and humiliated by his family and other adults for his nose and his acne as a teenager. He became the most successful and acclaimed entertainer in the history of music in his mid-20's, then by his mid-30's he was widely portrayed as a weird has-been with an appetite for molesting young boys. By his mid-40's, he was portrayed as a deformed, middle-aged creeper with an iconic career very much in his past. Truth is, what Michael gave to the world eclipses such blithering idiocy. Like it or not, Michael Jackson is a giant in entertainment, and is also a legendary humanitarian.

On the megastar side, he is a peerless icon. No one in history has enjoyed as much admiration and global fandamonium for a longer portion of their life as he has. Elvis Presley was famous for 21 years of his life. The Beatles had a phenomenal following, but admiration for them was divided amongst several members, mostly McCartney and Lennon. Their immense fame is still present, but they became famous as adults, and a decade later, they were split up.

Michael is the most awarded entertainer in history. The seminal Thriller era in the early '80's remains a cultural touchstone that impacts artists to this day. His iconography is mesmerizingly expansive. From details of his upbringing to his insatiable admiration for Peter Pan and James Brown, the world knows MJ very well. Better than a family member.

Now, the true reason I am annointing Michael a Saint is the way he lived his life and tried to heal the world of its problems. In 1984, MJ was infamously burned badly while filming a Pepsi commercial. Though he was the biggest super-duper star on the planet at the time, he opted not to sue Pepsi for many millions and instead accepted a $1.5 million settlement which he immediately donated to a burn center. He very generously gave away his millions of dollars in earnings on U.S. and world tours to charity. He frequented hospitals of underprivileged, ill or dying children and gave even more money, time and emotional energy to these people very often.

He created his Neverland Ranch as a de facto fantasy land from the rest of the world, but also to entertain children and improve their lives. Oprah Winfrey acknowledged MJ's amazingly caring heart in her famous 1993 interview with him after seeing hospital beds built into his home for ill children. He wrote numerous songs for the benefit of children, donated and raised untold multi-millions of dollars for a litany of charities and worthy causes and thusly, set a Guinness world record for most charitable entertainer in history.

Let's not forget his crusade to save and protect the Earth and its environment. He was always a staunch advocate for animals, but what is less known is his affinity and concern for trees, water, air and the negative effects of pollution. Being a part of projects such as "We Are The World" and "Heal The World" are just the tip of the iceberg as far as MJ's love of Mother Earth goes.

He always spoke publicly of the need to improve the world by starting with ourselves. In his never-meant-to-be-a-documentary documentary "This Is It," he repeatedly mentions that we need to put "love back into the world." His message of hope, love and improvement was always overshadowed by the sensationalist aura of his life, which is a shame.

Critics of Michael Jackson will dismiss him as a weird child molester cum drug addict who stopped being a brilliant artist 20 years prior to his death. That saddens me because that perspective takes too many liberties and avoids too many facts. Michael was not only never proven to be a molester, but the so-called "evidence" points overwhelmingly to a man who simply enjoyed being around young boys, saw himself as one and just made poor, non-criminal judgments at times. Given what we know about his "weird and strange" life all those years, it makes sense that his mentality would be odd to us who grew up without the circus. No one gives as much as Michael gave of himself and his time without genuinely loving children from the bottom of their heart.

As far as his drug use, I tend to put recreational drug abusers in a different category from people like Michael, who only turned to painkillers after he couldn't take the searing pain from surgeries and the like. Once he became addicted to other drugs, it wasn't like being hooked on cocaine or crack. For a star of his magnitude, with as many demands on his time as he had, he became an insomniac. Being a major entertainer, he has the highest pressure to deal with. People need sleep in order to function, but if one can't sleep, they can't function. Michael knew this, so he found a solution to get himself to sleep. If ever there were good and understandable reasons to get addicted to a drug, not wanting to suffer horrific pain and wanting to actually get much needed sleep are the two best.

So to call Michael a drug addict is very misleading, no matter how accurate it is.

I'm not suggesting that Michael was perfect. I'm not saying he was always an angel. But since it is a proven fact that no one is perfect and everyone has flaws, he should be allowed his. People need to separate opinions and rumors from truth and fact. Just because someone THINKS MJ is guilty, doesn't make it true. As for his extensive plastic surgery, he changed his face because he was given an inferiority complex as a child that never evaporated. He had the means to change it so he did. Any of us would likely do the same thing if we were placed in that same scenario and had the means. His skin color? It has finally been proven that he truly did have a skin disorder that he couldn't help.

Besides, what does a person's appearance have to do with their good heart and great intentions? Not a thing.

And so it is today, Michael Jackson's 52nd birthday that I declare him a Saint. He continues to bring joy to millions of people who listen to his music, watch his short films, wear his trademark clothing and remember attending his tours live or obsessing over him at the peak of his popularity. They remember how good it felt. The millions of people helped by his lifetime of charity and giving heart and his message. The lives he saved and improved. The hope he inspired.

Michael Jackson is a world treasure. And a Saint.

Friday, July 9, 2010

LeBron James Is An Embarrassment To Basketball

CLEVELAND - Right now, I feel as though I owe Kobe Bryant an enormous apology. Though I have always admired him, I also criticized his late '90's, early '00's selfish ways while playing with an in-his-prime Shaquille O'Neal. After last night's unbelievably stunning LeBron James egofest on national television, I now realize that Kobe was a saint by comparison.

LeBron, to put it nicely is literally an embarrassment to the game of basketball.

I know many people may think that it's an unfair statement by a disgruntled and angry Cleveland Cavaliers fan, but the truth is, (even though I enjoyed watching the team play) I didn't care where James landed next year after an unprecedented display of arrogance, selfishness and disloyalty in this year's long anticipated NBA free agency extravaganza.

James, 25 starred in his own one off reality series on ESPN last night to tell the salivating sports world where he would be playing pro basketball next season and beyond. When those stunning words, "I'm taking my talents to South Beach to become a member of the Miami Heat" trickled almost clumsily out of his mouth, he immediately became something far worse than the proverbial Benedict Arnold. He became the most overhyped, fictitious wanna-be legend any sport has ever known. It wasn't so much that LeBron left the Cavs, he left his credibility and his good name in the dust as well.

Let me explain.

Many people have expressed bewilderment at the backlash that James has gotten since that announcement last night at 9:28PM EST. They have said things like, 'he didn't have enough help' or 'no one has to justify to their former employer that they are signing with a new employer.' People talk of the "seven good years" he gave the Cavs. While I understand that those are merely people's opinions, it is still frustrating that folks feel that he did nothing wrong. Yes, it is his life. He is an adult who has to make choices that are best for him and his family. But for LeBron to have been conceived, birthed and raised in Northeast Ohio, then fawned over in his last two years in high school like a hapless nerd drooling over the prom queen and all but deified in his seven years as a pro by first and foremost his hometown, it is stupefying that he didn't feel any obligation to handle his departure more graciously. Indeed, he didn't even alert the Cavs of his plans until moments before he stepped on stage and in front of the cameras.

Then, he slaughtered his city with the same callous iciness of the reviled Art Modell.

Millions of hard-working people spent countless millions of dollars, time and energy on worshipping James. After decades of stunning heartbreak in every sport at the hands of opposing teams' megastar players, Cleveland's fortunes took a dramatic turn for the better when the Cavs lucked out and earned the right to draft first in 2003, the very year that James was exiting high school as the most acclaimed prep star in history. He came to town and shattered the impossible expectations that were placed upon his broad, 18-year old shoulders.

After seven brilliant seasons that yielded two consecutive MVP awards, six all-star nods and two scoring titles, James decided he'd had enough of Cleveland. In his "press conference" last night, he indicated that he'd just made up his mind that same morning. But there is great reason to believe he made the decision weeks ago. In Game 5 of the East semifinals against Boston, LeBron did something he and no other bona fide NBA legend has ever done-- he quit. He played listlessly, limply and wore a hollow and detached expression the entire game which was a pivotal match which Cleveland lost and gave the Celtics a 3-2 series lead. A national debate ensued about what made James suddenly tamp down his superlative game at the worst possible time. He downplayed it and shook it off as just one bad game in a seven year career. He followed that empty performance up with another weak effort in Game 6, though his 27 points and 19 rebounds tell a very misleading story about his tenacity, which was absent for about 44 of the 48 minutes.

And he has yet to take ownership of his cowardly acts in those games.

The Cavs, winners of 66 and 61 games during the past two seasons lost the series to Boston and LeBron seemed to not even care. That was shocking and unacceptable behavior for a man so highly skilled, so talented and who proclaims himself to be the "King." Comparisons to history's greatest icons are inevitable and no way would Magic Johnson or Larry Bird have ever played so vacantly in such a critical postseason game. Or any game for that matter. And Michael Jordan? Forget about it. LeBron has explained countless times how he idolized MJ as a child, but he certainly didn't study his hoops DNA. Jordan was an assassin because of a searing determination to best his opponents and win at all costs. Yes, LeBron says he only cares about winning, but forsaking his hometown team who has a billionaire owner willing to spend whatever it took for the Cavs to contend and win for the "easy way out" choice of Miami is beyond puzzling.

The Heat's resident megastar, Dwyane Wade entered the pros in '03 just as James did. But Wade has been the fiercer, more offensively aggressive performer of the two and actually led an arguably less talented (than the '10 Cavs) Heat team to the 2006 NBA title in dominant fashion. LeBron had many excellent pieces around him to do the same and with his unique skill set coupled with his body build, his presence alone should have compensated for whatever flaws his teammates had. With the free agent signing of all-star Chris Bosh earlier this week, Miami already possessed a dynamic duo. Adding James to that only undermines his own brilliance and legacy because it illustrates a supposedly awesome megastar leaving his talented although flawed hometown teammates in favor of joining a star studded squad. I read somewhere that Jordan would never have wanted to link up with the league's other stars...he wanted to crush them.

LeBron could have toughed it out and shaped the Cavs into a dynasty, which would have elevated him to the highest peak imaginable. The first guy to lift the oft-humiliated city of Cleveland to world champion status several times over in more than half a century.

That would've been off the charts.

Cavs owner Dan Gilbert unleashed a no-holds barred tirade of the most caustic variety against LeBron in the form of a letter online. He castigated James and expressed utter disdain and intolerance for James' diva-styled attitude for the months leading up to this overblown, overhyped self-aggrandizing fiasco. In other words, it was less about him leaving and more about how he did it. No matter how you slice it, LeBron owed this city and his team far more than that. Anytime more than one party enters into a long-term relationship in which they experience highs, lows and everything in between, an obligation and responsibility forms automatically between those involved. That's why LeBron's actions can't be simply dismissed as "his life, his right."

The world has finally met a new LeBron James. The real one. He's immature, self-absorbed and highly narcissistic. He'd better hope he doesn't ever run into someone else like that. But, as he proved last night, anything is possible.

Loser.

Friday, June 25, 2010

Michael Jackson Was Victimized His Entire Life...And Beyond

CLEVELAND - Michael Jackson lay motionless in his bed around noon on June 25, 2009. In his bedroom, a frantic and nervous doctor noticed that the legendary entertainer wasn't breathing. Simultaneously, millions of people across the U.S., unaware of what was happening to MJ at that moment, perceived him as a once-amazing talent that had long ago become an embarrassing sideshow. Within a few hours, those same people reconfigured their perception of the man and began expressing sympathy and grief over his sudden and Earth shattering death.

All of those people need to go to hell.

Head shaking as it is, today marks the one year anniversary of Michael's departure from life. It was an unspeakably horrific day for me personally and for the tens of millions of his fans globally. I still have a difficult time accepting it as reality, even though Michael was such an emotionally fragile and sensitive person who was forced to deal with a pressure cooker of a life for 45 years. I look back on that dark Thursday with endless contempt and impossible bitterness.

I've thought about the man's life in great detail. His successes were of epic magnitude. His failures were tragic and colossal. And although Michael Jackson was perceived by many as the ultimate oddball and a raging weirdo, the truth is, he was very much like the common man. He only wanted to be loved and admired. He was blessed with a gigantic amount of talent, yet he was also prone to making bad choices and being irresponsible. He had several lapses in judgement just as we all do, but none of that should ever overshadow what he was truly about.

He wanted to make the world a better place.

Long ago, it became the "cool thing to do" for many people to not only criticize Michael, but to completely assassinate his character and spew some of the most vitriolic hate ever conceived towards him. In the years after Michaelmania dominated the U.S. and abroad in 1983 and 1984, Michael began being vilified and mocked for his constantly changing facial appearance, his reclusive and eccentric lifestyle and for the failings of his music to eclipse the impossibly high standards of his historic Thriller album. Years after those criticisms began, he was mutilated in the media and court of public opinion for what many considered to be his seemingly seedy relationship with pre-teen and teen boys.

It may seem as though the mid-1980's was the beginning of the sniping at MJ, but in reality, his entire life had been that way. Since he was a child, he was forced to support his family through intense dedication to his music career. True, his brothers were all a part of The Jackson 5, but with Michael being the lead singer and far and away the biggest talent, the pressures on him were greater, and he wasn't yet 10 years old. He had to endure heavy criticism because of his nose, which even family members mocked and took to calling him "big nose." For a kid who was already sensitive, that sort of attack was almost too much to take. It heavily shattered his spirit. Then as an adolescent, he endured the cruel effects of acne to his soon-to-be-adult face. Of course, he was made fun of for having "so many spots" on his face.

The level of pressure that was upon Michael Jackson during the late '60's and throughout the '70's was incredible. Not only did he have to excel musically for the sake of his family and others in the music industry with a vested interest in him, he had to do so with a face that was constantly frowned at and mocked. He didn't have the luxury of hiding. His face was public property.

He began to flex his muscles as an adult solo artist in 1978 when he turned 20 and co-starred in "The Wiz." Shortly thereafter, he crafted his masterpiece Off The Wall album which launched him into orbit on the path to megastar. Beneath it all, he was more ambitious than he'd ever been, yet very insecure. He had been tethered to his brothers for years and now, he was finally developing his own sound and legacy.

Of course, Off The Wall became a huge success in an unexpected way but the phenomenon that came with the late 1982 release of Thriller was beyond comprehension. That seminal era, early 1983 through late 1984 was owned by Michael. The entire U.S. was consumed by his music, style and artistic trademarks and his work sold in record numbers. The Thriller era was such a charmed, fairy-tale time for Michael that it felt almost too good to be true.

As it turns out, it was.

Michael had been a man who could do no wrong during the whirlwind dominance of Thriller and its accompanying music videos. When he and his brothers ended the Victory Tour in late 1984, it was as if the clock struck midnight for Cinderella. Beginning in early 1985, the immense love affair that the public had with Michael began to fade. I remember this time vividly, even though I wasn't yet eight years old. Over the next 2 and a half years, his character took major hits in the media for his various eccentricities and lack of a new album. By the time Bad, the highly anticipated follow-up to Thriller debuted in August 1987, he had been getting major criticisms for his much lighter skin tone as well as other modifications to his face. It occurred to me that the man did exactly what many people would do if they had been in his shoes and had the means. Remember, he had been ridiculed since childhood by people (including members of his own family) and thus, carried a complex about his nose in particular and his face in general. If I were subjected to that and I was a multi-millionaire, I would have made changes as well.

During the last 20 years of his life, the criticisms and insults grew harsher and more insidious every moment. There were complaints about his record sales which were still awesome but always fell short of the juggernaut that was Thriller. MJ was already a notorious perfectionist, so he naturally put tons of pressure on himself to please his public. As his skin appeared more and more pale white and his face changed shape often, endless jokes and repudiation of the man fell upon him. No one believed he suffered from the skin disease vitiligo as he stated. Instead, they poked fun at him, called him a liar and hurled insults at him.

No one bothered to care about what pushed him to remodel his face. No one cared that his skin lightening was essential to even out what the disease was doing to his color. Imagine having to deal with that from a few people. Michael had to deal with a nation of people ganging up on him.

Then, the child molestation charges that effectively turned him into a pariah. Sure, it is bad judgement for a grown person to surround themselves with underage kids. It is also puzzling as to why and how Michael ended up in the same situation a second time after the horror of the first time. What people ignore is that Michael isn't an average Joe. Yes, he was an adult. But he was an adult who surrendered his childhood in favor of an entertainment career. The significance of that is it explains why he took to creating a childhood as an adult that he never experienced as a child. He may have been an excellent businessman, but he certainly didn't see himself as an adult. From what I saw, he looked at himself as a 10-year old boy and thus, saw nothing wrong with being around young boys.

To him, they were his "peers."

His thinking was clearly unconventional, but when such epic success isolates a person, it becomes understandable. Remember, Michael's closest female friends were women who were sometimes decades older than he; Diana Ross, Liza Minnelli, Elizabeth Taylor, Jane Fonda and Katherine Hepburn. He always tried to surround himself with people who best understood him or whom he could truly connect with and relate to.

People ignore the fact that Michael spent his adult life donating endless amounts of his time, energy, emotions and money to countless charities. Children were his inspiration and he loved them. No one gives as much as he did without genuinely caring for the cause they're supporting. Not only that, but it was disclosed several months ago that MJ had been under surveillance by the FBI for 13 years and nothing was found that showed him to be a molester. In sum, he was acquitted after a trial in 2005 and the FBI found nothing improper on him, but no one ever mentions those things. Instead, he gets castigated for what was actually just allegations against an easy target and the possible "appearance" of impropriety. People label him a pedophile as though it was ever proven.

Add another stress inducer to his life.

I'm not saying that Michael didn't bring any of this on himself. He certainly placed himself in compromising situations, but he never deserved such malicious treatment by people. It infuriates me that so many people say such nice things about him now that he's gone, but never would have done that while he was alive. Jay Leno was always delivering below-the-belt jokes about him, but now speaks of him like he's a beloved icon, which he is, but Leno never spoke that way before.

I read unbelievably cruel comments all the time from idiots who continue to disparage Michael, even in death. It just further underlines the hell that MJ had to deal with daily while millions sat back and judged him. Those same people are hypocrites who clearly know nothing about class and love.

I will forever love Michael and I will use this awful anniversary as another opportunity to appreciate the gift that God gave us.

Michael Jackson forever.

Monday, June 21, 2010

Eminem Masterful and Dominant On 'Recovery' LP

CLEVELAND - Eminem exploded onto the music scene in 1999 like a meteorite engulfed in flames. His skills were undeniable and his popularity was stunning. Then he lost his focus and as a result, it undermined his unmatched brilliance for years.

Folks, the brilliance has returned.

Eminem, the famous moniker of Marshall Mathers releases his 6th major-label album today a full two weeks after it leaked online. Recovery, as it's titled was originally due out tomorrow but instead was moved up a single day to whet the public's appetite for an album that has gotten mostly rave reviews. And it's not just for its content, it's also for Eminem's return to the searing dominance that won him endless praise and critical acclaim a decade ago.

Em opens the album with guns blazing, as he drops clever zingers at Elton John, Michael Vick and the Parkinson's Disease-stricken Michael J. Fox on "Cold Wind Blows." It is instantly apparent that his prodigious lyricism is reborn and he intends to be all business on this LP. His ammunition is in the form of metaphors and one-liners and his trademark smart-alecky wit is razor sharp.

"Talkin' 2 Myself" is an earnest confessional in which Eminem admits his own jealousy of the immense success of Lil' Wayne and Kanye West during the last few years. He also touches on his declining self-esteem (during his nearly five-year absence from the spotlight) as he cleans out his own psychological closet. Admissions of self-loathing, holding a false bravado and enduring writer's block are all stunning because of the sheer brutal honesty of the words, yet riveting because it delves into the psyche of an insecure genius.

He even disavows his previous two albums, both of which were considered lackluster by fans and critics yet they both still went multi-platinum.

"On Fire" once again puts Em's phenomenal skills on center stage. His lyrical dexterity is flawless as is his biting wit. Listening to this track reminded me that he's always been masterful at composing tongue-twisting, multi-syllabic rhymes about inane and preposterous things.

"Won't Back Down" is a surprising collaboration with pop-star Pink, ironic because Em made a career out of insulting pop stars. But if ever there was an appropriate pairing of him with a pop star, this is it. Both Em and Pink have cultivated defiant, fearless personas with non-conformist attitudes. They come off like two renegades declaring their toughness in the face of critics and anyone else turned off by them.

"W.T.P." harkens back to Em's early albums which usually featured a light-toned, party track. It's a silly song, but it's also more lyrical than its similarly themed predecessors.

"Going Through Changes" is another brutally honest confessional. Em discusses everything from his murdered friend Proof to drug dealers being at his beck and call during his heavy drug abuse period. He talks about how immense fame has isolated him and admits that he acts "high and mighty" while he's really "dyin'" on the inside. The powerful song also features Em saying that the "only thing [he] fears is [his daughter] Hailie."

"Not Afraid" is the album's lead single. Uplifting and potentially transformative, it's also an unusual first single for an Eminem album. In it, he disses his own 2009 album Relapse and acknowledges that he may have overused the strange accent with which he littered the LP (and also annoyed many fans with). He also apologizes to his fanbase for essentially putting out subpar material the last few years. One complaint I have about this song and various other points during the album; Em's unusual use of metaphors at times seem forced and unnatural. Still, they are very effective in some cases.

"Seduction" is an R&B-style track. Em is cast as a smooth playa' cum ladies man. He unleashes a torrent of rhymes while extolling his prowess as a chick magnet (mostly due to his rhyming skills).

"No Love" could be considered the album's centerpiece. It's a delicious collaboration with Lil' Wayne and is maybe the best Eminem collab since he teamed up with Jay-Z for 2001's "Renegade." Here, Wayne authors a pitch-perfect lyrical masterpiece delivered in his trademark methodical drawl. He certainly paints a dramatic picture: "Married to the game, but she broke her vows. That's why my bars, are full of broken bottles..and my night stands, are full of open bibles." Also: "been to hell and back, I can show you vouchers" and "I'm stickin' to the script, you niggas skippin' scenes." The hook, a re-working of a familiar, early '90's pop hit merges Wayne's verse with Em's rapid, machine gun delivery. Em drops such zingers as "get these wack cocksuckers off stage, where the fuck is Kanye when you need him?" Awesome track that just happens to join two of the most acclaimed and popular figures in the genre's history.

On "Cinderella Man," Eminem once again bad mouths Relapse, saying "fuck my last CD, that shit's in the trash." The song feels like a pep rally for him and his resiliency in the face of his much publicized, former drug addiction. Em is full of swagger on this track, but it's effective because he admits to artistic missteps, especially with lines like, "mediocrity can no longer fly."

"25 to Life" is a concept song in which Em portrays the hip-hop game as a metaphor for a committed relationship. He's dedicated more than "half [his] life" to that relationship and feels under-appreciated despite his tireless dedication to it.

"So Bad" is, from the very start an obvious Dr. Dre-produced track. It's also a reminder that the legendary producer is mostly absent from this album, uncharacteristic for an Eminem set. This song is a great example of how much Eminem vacillates between humble self-loathing and cocky braggadocio from song to song and even verse to verse.

"Almost Famous" is another punchline filled, lyrical roller coaster as Eminem name drops everyone from David Carradine to Verne Troyer and Sean Hannity.

"Love The Way You Lie" features another surprising pop star choice; Rihanna. Her feathery voice punctuates the catchy track with a silky and beautifully crooned hook. Em meanwhile, seems to wistfully recall his complicated relationship with his ex-wife Kim. Rihanna's voice is so good, so sugary to the ear that the sad surrender of her words are not immediately obvious. Em sounds remorseful throughout for bad decisions he made in his past relationship until the very end of his verse when his devious, sociopathic alter-ego Slim Shady emerges with a closing threat to set [Kim's] house on fire with her in it.

"You're Never Over" is a spirited tribute to Proof, celebrating him as his guardian angel.

A bonus track called, "Untitled" is actually one of the best on the album. It's three minutes of Eminem spitting an impossible series of rhymes, metaphors and punchlines with awesome precision.

All in all, I am highly impressed with this album. Eminem's first three albums are considered classics, yet beginning with 2004's Encore, he's been criticized as having "lost his greatness." Though I liked Relapse, this new album blows that one out of the water. Eminem hasn't sounded this fresh, crisp or driven since 2002's The Eminem Show. And dare I say it, but Recovery is not only an instant classic, but might be just as brilliant as his earlier strokes of genius. The fact that I specifically discussed all but one song says a lot.

The real Marshall Mathers has finally stood up!

Saturday, June 19, 2010

Debating Kobe Bryant's Legacy

CLEVELAND - I am a Kobe Bryant fan. He is a truly amazing basketball player with an unbelievable will to succeed and his enormous cache of skills make him nearly impossible to defend on the court. Where he started at the beginning of his career and where he is now is one of the biggest phenomenons in sports history.

But his place in NBA history remains complicated.

Yes, even after Bryant led his L.A. Lakers to their second straight (16th overall) NBA championship Thursday night, discussing his legacy is far from simple. In fact, it's nearly impossible. The 14-year superstar is now a member of five NBA title teams of the past 11 seasons and his Lakers seem poised to challenge for more during the next year or two.

But, let's not get too far ahead.

Comparisons in sports are inevitable. The most difficult ones to make are the ones that compare players across different eras and with different circumstances. For years, Bryant has been compared very favorably to the great Michael Jordan (my all-time hoops hero). And now that Bryant is just one championship behind MJ, the comparisons are as heated as ever. Many have even placed Kobe above Earvin "Magic" Johnson as the greatest Laker in history. It's entirely possible that Bryant is Johnson's superior, but he is still miles behind Jordan.

Here's why:

To be fair to both men, I'm only going to consider Bryant's last 11 seasons, since his first three were spent learning the NBA after jumping straight from high school. His productivity was far below what it came to be. For Jordan, I won't consider his two year stint with Washington, when he was a very advanced-in-age 39 and 40 and it's also pointless to consider his 18-game second season and his 17-game comeback season in 1995. In other words, I'm comparing Kobe's best 11 years with Michael's best 11 years.

In Kobe's 11 seasons, the Lakers have won the title 5 times. In each of those seasons, he not only didn't win a league MVP award, but the consensus opinion was that he was no higher than the second best player in the NBA. Not the best. His role on the Lakers' 2000-02 title teams was as the killer wing player. Shaquille O'Neal was the best, most dominant player on the floor and the league and his ability to virtually guarantee a Lakers basket every time down the court was their strongest asset. He was more physically imposing than anyone and had a litany of post skills that made him the focal point of opposing defenses. Bryant, with his myriad skills was the beneficiary of Shaq's paint presence. Though Kobe seemed to resent having to share the ball with O'Neal at the time, he still prospered from being the best one-on-one player in the game who was hardly ever required to go one-on-one.

So even though Kobe played a very pivotal role in those first three titles, he played with a very unfair advantage. Let's also not forget about the rest of the talent that L.A. had during those years. When Kobe became the team's leading scorer for the first time in his career during the 2002-03 season (30.0 ppg), the Lakers lost in Round 2 of the playoffs. It was the first time Bryant's thirst for glory impeded the team's goal; he had a 13 game stretch at midseason where he averaged more than 42 points per game. That type of monopoly on the ball is inexcusable when a guy like O'Neal (just 31 at the time) is around.

In the 2004 season, the Lakers lost again, this time in the NBA Finals to upstart Detroit. By then, O'Neal and Bryant's rift was at an all-time high in the animosity category. It was the last time they played together as O'Neal wound up in Miami the following season. With Bryant as the team's Number 1 star for the 2004-05 season, the Lakers were a mess and stunningly missed the playoffs. In '06, Bryant unleashed the full capacity of his brilliant offense and averaged a career high 35.4 ppg. He even dropped 81 points in a game v.s. Toronto, but come playoff time, his Lakers got bounced by Phoenix, an occurrence that repeated itself in 2007. It was during that off-season that Kobe fumed in the media and disparaged his teammates while mentioning that he wanted a trade. Of course, the ensuing 2007-08 season saw the shocking trade (steal) for all-star Pau Gasol. This move, along with the great improvement of the Lakers' Andrew Bynum put L.A. in the NBA Finals for the first time in four seasons.

Even though Bryant won the 2008 MVP, his Lakers lost the title to Boston. The following season, L.A. steamrolled Orlando en route to capturing the 2009 NBA title, Bryant's 4th overall, but first as the team's best player. They repeated the feat two days ago when they won in a delayed rematch with the Celtics. Bryant won Finals MVP for the 2nd straight season, but he never had a standout game.

For Michael Jordan, his path was very different. After six seasons of awesome accolades, breathtaking highlights and endless praise, his Chicago Bulls still possessed no championships. When they finally broke through in 1991, Jordan loomed very large. He averaged 31.2 ppg, 11.4 apg and 6.6 rpg! He dominated in the '92 Finals as well as he outshone his supposed equal Clyde Drexler with a 35.8 scoring average. For the Finals in 1993, he set a record with a 41 ppg series average against Phoenix. He stunningly retired nearly four months later, then returned two years after that. He led Chicago to another trilogy of championships in 1996, '97 and '98 before riding off into the sunset. The major difference between Jordan's showings in the championship series v.s. Bryant's is simple. Jordan had games so great that they remain some of the most transcendent moments in league history.

Bryant, in seven different Finals, never had a masterpiece game like that.

In the regular season, MJ won 10 NBA scoring titles, 9 NBA 1st team all-defense, 6 Finals MVP's, 6 NBA titles, 5 league MVP's and a Defensive Player of the Year award. He was always the best player on his team and though he had an awesome sidekick in Scottie Pippen, he always played with one-dimensional role players and had lousy centers and point guards on his team. His regular season resume is filled with 60, 50 and 40 point games but his playoff resume is filled with series winning performances that impact basketball history greatly. In his final two Finals series alone, MJ authored two of the greatest single game performances the championship series has ever seen. He was always the focal point of his team's offense as well as the other team's defense.

Kobe meanwhile, has had awesome regular season games but almost no playoff games that jump out at you. Even when he went on a one-quarter scoring explosion in Game 4 of this year's Finals, the Celtics still won. He has one MVP, which he earned during the same season his team lost in the Finals. Jordan won 4 of his 5 in seasons that ended in championships.

I agree that Kobe has skills that are virtually equal to Michael's which is amazing in and of itself. But this nonsense about Bryant being a better shooter than MJ is ridiculous. Yes, Bryant became a good shooter earlier than Jordan did, but once Michael perfected his mid-range jumper, he was automatic. MJ, even by Phil Jackson's admission was a better finisher at the rim than Kobe (since Jackson coached both men, I give added weight to his evaluations of them) Michael was also a superior post-up player even though Kobe is excellent in that category. Kobe has been an outstanding defender, Jordan was better. On the ball, he was more ferocious. Off the ball, he played the passing lanes with better anticipation. Both players have shown reluctance to pass the ball, but they are very effective when they do. Michael saw the floor better mostly because he was trained in college by Dean Smith to play as a team before playing as the hero. Even though Jordan was known as a ball hog, he still displayed that fundamental skill to look for the open man.

Bryant shoots the 3-pointer better than MJ, but takes far too many shots from that distance. Jordan was an inconsistent 3-point shooter, but he was a very good "situational" 3-point shooter. He also had the sense and discipline to take higher percentage shots instead of "the home run ball" which has a tendency to take a team out of their game. Both men were brilliant in crunch time, Jordan made a habit out of drilling last second shots and breaking the hearts of many teams. Bryant nailed several game winners this season alone.

All in all, Kobe Bryant is awesome. Granted, I can't be as big a fan of his as I'd like to be because my allegiance to Jordan won't allow it. With that being said, I make these arguments in MJ's favor with complete objectivity. I presented facts and opinions based on facts and I gave each man the benefit of the doubt. Kobe is not as great as Michael, and that is just fine.

He's a legend already. That ain't too shabby.

Saturday, June 12, 2010

The Self-Destruction Of O.J. Simpson

CLEVELAND - For a person that overcame so much adversity, it remains one of the great mysteries as to why O.J. Simpson chose to destroy his charmed life. He was once considered the American dream and a great role model, yet he willfully ruined the public's perception and will forever be loathed with passionate intensity.

What a waste.

Today marks the 16th anniversary of Simpson's transformation from hero to hellion. His ex-wife Nicole and her friend Ron Goldman were both savagely murdered at her condo in Brentwood, CA on that evening over a decade and a half ago. O.J. didn't get formally charged with the crime until days later, but suspicions swirled about him almost immediately. Of course, Simpson famously went on trial for the murders that he denied committing and the televised courtroom proceedings dominated conversation and media for months.

That turned the trial into the biggest spectacle in history.

Eventually, O.J. was stunningly acquitted in the autumn of 1995, an occurrence that divided the nation along racial lines. It was obvious that he dodged a major bullet in the trial by being set free, but he lived his post-trial life with a stupefying arrogance and reckless behavior. After being ordered to pay over $33 million to the victims' parents in a 1997 civil trial, Simpson decided to stonewall the judgement and vowed never to pay it. Many years later, in 2006, he wrote a book which featured a controversial chapter detailing how he would have hypothetically murdered Nicole and Ron if he had been the "real killer." The unbelievable gall and insensitivity he showed in that endeavor outraged the public and a year later, Goldman's family successfully won the rights to publish the book themselves and profit from its sales.

If all that wasn't enough, O.J. masterminded an armed robbery and abduction caper in Las Vegas in 2007 and a year later, was found guilty on several criminal counts. He was sentenced to a prison sentence of at least nine and at most 33 years. Many observers contended that Simpson's harsh sentence was essentially "payback" for "getting away with murder" back in 1994.

O.J. Simpson was born into a poverty stricken family and was afflicted from birth with a leg disease called rickets. His impoverished neighborhood and absentee father only made matters worse, but he recovered and became a superstar football player. The pinnacle of his college football career at USC may have been when he won the Heisman trophy in 1968. Five years later, he set an NFL record for rushing yards and was fast becoming America's favorite son. He became a Hollywood figure as well as he starred or appeared in numerous minor films during the 1970's and '80's. Also, his career as a commercial pitchman for several companies flourished after he retired from the NFL in 1979. By the time his marriage to Nicole Brown grew contentious enough to warrant divorce in 1992, Simpson was also a successful television commentator on NBC.

The charmed life disappeared the night his blood ended up at a grisly crime scene and the victims' blood ended up on his vehicle and on his driveway. Apparently, O.J. lost his cool in a huge way and allowed his lack of control to force a very bad choice that destroyed his good name forever. Either way you look at it, the saga of O.J. Simpson is equal parts riveting and tragic.

Has it taught anyone else a valuable lesson?

Thursday, June 3, 2010

20 Years Ago Today: Jordan Learns Hard Lesson From Pistons

CLEVELAND - In a seminal career of breathtaking excellence, Michael Jordan authored one historic moment after another. His genius was so expansive and his drive so tenacious, that he became the best basketball player in history by the time he reached age 30. But before he led the Chicago Bulls to a half-dozen NBA championships in less than a decade, he served a hard knocks apprenticeship that reinforced his ruthlessness.

Thank the Detroit Pistons.

Today marks the 20th anniversary of the Detroit Pistons' Game 7 trouncing of Jordan's Bulls in the 1990 Eastern Conference Finals. It was the third consecutive season that saw Detroit end Chicago's season. Jordan, then 27 years of age and in his 6th NBA season had been beyond brilliant all season and series. With the Pistons' ultra physical play and defensive focus on MJ, the Bulls as a team struggled mightily in spurts and went down 0-2 in the series. Then, ferocious as ever, Jordan responded with back to back 47 and 42 point games to tie the series at 2-2. The final game, played at The Palace of Auburn Hills, saw Chicago lose handily, 93-74. This was the infamous "Scottie Pippen migraine game" which rendered the 3rd year upstart ineffective and left Michael alone to fight against Detroit's suffocating defense. Jordan miraculously managed 31 points in the game, but no one else did anything of note.

It was with this Game 7 loss that Jordan broke down in tears at the reality of losing yet again. Each season, he  was the ultimate megastar standout, yet he was hearing growing criticisms that he would never lead his team to a championship. His career was so phenomenal up to that point, yet he would never be thought of as an all-time great without a league title. Naturally, he went into the summer with an even higher level of focus than normal. The result?

Chicago won three consecutive NBA titles twice during the remainder of the decade!

It may have been the sharpest, cruelest pain at the time. But that Game 7 loss was the exact fuel that Michael Jordan needed to power his space shuttle of excellence into the stratosphere.

Saturday, May 29, 2010

The Tragedy Of Gary Coleman's Existence

CLEVELAND - For the past 20 years, one of the most well-known cautionary tales of modern pop culture history has been the travails and tragedies of the child actors of TV's Diff'rent Strokes. While it is true that the dark side of Hollywood helped facilitate their downfall, it doesn't compare to what life dealt Gary Coleman long before the world had ever heard of him.

Such a shame.

Coleman, a seminal figure of 1980's pop culture as well as my own childhood died yesterday at the extremely young, yet shockingly old age of 42. Since he was born with a cognitive kidney disease, he always seemed fated to die very young. Many people claimed that they were surprised he lived as long as he did, but in actuality, I'm not so sure that Gary Coleman ever lived at all. By that I mean this: his disease caused him to forever remain very short in stature, as an adult he was just 4' 8." Saddled with that hurdle, he was already at a disadvantage. Add in the fact that after Diff'rent Strokes ended its television run in 1986, his life became one tough break after another.

His earnings from the show had totaled into the multi-millions, yet he was flat broke as a result of reckless spending and irresponsible management by his parents. This destitute status, combined with the very limited roles he could play due to his size made him something of an irrelevant figure in show business. He was seen as the "washed-up" has-been whose claim to fame was his iconic "Whatchoo talkin' bout, Willis?" catchphrase immortalized on Diff'rent Strokes. By the start of the 1990's, Coleman was already becoming a punchline amongst comics and the general public. He began to behave bitterly and almost always appeared angry. As his former co-stars suffered through drug addiction, criminal charges and the fallout from various other poor choices, Coleman's torture continued to be what he was born with; a major health setback that would compromise both his social life as well as his ceiling as an actor. Indeed, he burst onto the scene in the mid-1970's, pint-sized and cherubic and filled with stunning comedic brilliance. He hadn't even reached the age of 10 and he was already doing guest spots on major television sitcoms as well as co-starring in several television movies.

When NBC's Diff'rent Strokes ascended in popularity as the 1980's dawned, the precocious and quick-witted Coleman was the cornerstone of its appeal. Every one of my peers and cousins enjoyed the series and its revolutionary premise of two poor Black kids being adopted by a wealthy White businessman. To myself and my best friend and cousin, Coleman's Arnold Jackson was an icon. From his zingers to his afro with the "driveway part" in it, he was something of a friend and peer that we never could meet. Though Coleman was about a decade older than us, he always seemed to be on our level age wise.  To this day, we talk about Arnold and Willis and the unseen-but-still-ominous bully The Gooch as well as Shavar Ross' Dudley.

Coleman was and will always be indelible.

I also thought about the ironic similarities between Gary Coleman and the great Michael Jackson. Both were devoid of a true childhood because of the demands on their pre-eminence in show business. Both were ultra popular in the early 1980's, then became the butt of an endless array of jokes. Both died at very early ages, then became heavily fawned over in death after nearly two decades of decreasing popularity. Of course, Jackson's popularity went above and beyond anything ever seen in pop culture history (with the possible exception of The Beatles), but the similarities are still stunning.

It's worth mentioning that Coleman was never an iconic actor in the vein of an Al Pacino or Denzel Washington. He simply played an iconic character on a popular television series. Nonetheless, he was still a force and an important figure in entertainment because what he created in Arnold Jackson more than 30 years ago remains memorable and influential today and beyond. It's a shame that his life during his final two decades was essentially in ruins. However, he made an impact and his legacy will endure.

I hope his tortured soul is finally at peace.

Sunday, May 23, 2010

'The Marshall Mathers LP' Turned Eminem Into Cultural Icon

CLEVELAND - With bleach blonde hair and pale white skin, Eminem stood in the middle of a New York street attired in a wife beater tank top, baggy sweat pants and a pair of white sneakers. Moments later, he led dozens of similar-in-appearance young men into Radio City Music Hall while rapping into a wireless microphone the lyrics to "The Real Slim Shady," his 2nd studio album's lead single. In that moment, he was the king of both pop music and hip-hop.

We were witnessing a movement, people.

That "movement" took place during the 2000 MTV VMA's in New York City three and a half months after Eminem's second album, The Marshall Mathers LP debuted. Today marks the 10th anniversary of that landmark release which is still regarded as Eminem's finest work to date. From the stunning and controversial lyrics on the album to the litany of protests it created, it was a masterpiece of writing, imagination, brutal honesty and production. Eminem wasn't just at the apex of his popularity, he was masterminding a cultural shift in two separate music genres simultaneously.

Wow.

After Em's major label debut The Slim Shady LP debuted in early 1999, he was hailed as a stupendous wordsmith with a twisted sense of humor. His themes were often dark, but they were delivered in a way that made it seem as though he was just being hyperbolic or jokey. Indeed, that first album was violent but it was cartoonish and seemed too over-the-top to be anything real. But on The Marshall Mathers LP, it's never really clear if Eminem is being silly or if he's telling the brutal truth. He opens the album threatening to rape and kill his mom and later in the album, he actually does murder his daughter's mother. In between, Eminem disparages homosexuals and numerous figures in pop music while also taking the media to task and sneering at his critics.

Not only is the album a classic, it also showcases Eminem at his most skillful and vitriolic. What I most admire about it is the way he comes out shooting with a purpose and with the intent to make a statement. He pulls no punches, bites no tongues and never holds back. He knows he's going to offend many people and he simply doesn't care. He's going to deliver his perspective on things regardless and sees no point in self-censorship. Personally, I don't think he has ever been as ambitious as he was on this album, but that's okay. He still crafted tons of great music since then. But on The Marshall Mathers LP, he gave hardcore rap and hip-hop a brand new face with his re-imagining of the genre and made many would-be naysayers and doubters respect his unfettered brilliance.

And it transformed him from star to cultural icon.

Tracks that really stand out to me; "Stan" is a stunningly ingenious song that features a written correspondence between Eminem and an obsessed fan, who unbeknowst to Em has already committed suicide by the time the fan's letter arrives to his hero. "The Way I Am" is a rant against Eminem's critics and fans alike, both of whom he has little patience for. Every song is brilliant in different ways, but "Kim" is disturbingly brilliant, not because Eminem delivers it in an infuriated, raspy tone and yells for most of it. Rather, he simulates a fiery domestic dispute with his "baby momma" which ends in her murder. In many ways, it's a very resonant song and is a perfect example of what Eminem himself does so well; depict the harsh realities of his real life with stunning detail and honesty.

Among the great accomplishments of this masterpiece album, it earned a spot in The Guinness Book of World Records by selling nearly 2 million copies in the U.S. in its first week alone! It has also been critically acclaimed by countless publications as being one of the best albums in history.

A month from now, Eminem will release Recovery, his sixth professional solo album. From what I can tell, it seems like it will be a return to the searing lyrical dominance that defined his first three classics, but was mostly absent from his last two. Whatever the case, Eminem's eminence will remain untouchable.

Without question.

Sunday, May 16, 2010

27 Years Ago Today: Michael Jackson Transcends Pop Culture

CLEVELAND - If there was a single moment that propelled Michael Jackson to the very top of the music industry, American pop culture and showcased his stunning repertoire of talent, style and polish, it was without a doubt the evening that Motown Records broadcast their 25th anniversary special on NBC television.

The night belonged to him, hands down.

It was 27 years ago today that Michael ascended to the highest peak of his stunning brilliance while firing on all cylinders. His historic performance of his new song "Billie Jean" remains a seminal moment in pop culture history and more than anything else illustrated his trademark iconography in perfect detail. The television special, entitled "Motown 25: Yesterday, Today and Forever" featured numerous stars from the landmark record label's past. From Smokey Robinson to Diana Ross and the Supremes, it was a who's who of black musical dominance of the 1960's and '70's. The Jackson 5, who had joined the label in 1968 as a group of teens and pre-teens were slated to perform but Michael was initially against it.

At the time of the show's taping in March 1983, Michael Jackson was fast becoming the pre-eminent figure in music by a mile. His four-month old album Thriller was just starting to set shocking sales records and his music video brilliance had only a month prior become a public obsession. In short, Michael was a huge deal times a thousand. Meanwhile, as his luminosity grew in intensity, his brothers seemed more and more irrelevant. Motown founder Berry Gordy, Jr. pleaded with MJ to join his brothers on stage to celebrate the 25th anniversary and Michael agreed on the condition that he be allowed to perform the aforementioned "Billie Jean."

Of course, Gordy agreed.

Evidence of Michael's leverage at the time was obvious in that Gordy allowed the new song on the show in spite of the fact that it was the only non-Motown song in the show. Michael also requested full control over the camera angles used during his solo because he wanted audiences at home to experience it the way he saw fit.

Very shrewd.

The performance itself was a sight to behold. First off, MJ segued from a Jackson 5 medley with his brothers into the solo by placing a fedora atop his head, brim tilted down over his eyes while holding it there and striking a pose. The "Billie Jean" rhythm filled the arena and Michael began thrusting his hips, kicking his leg and pirouetting while executing precision footwork. He tossed his fedora into the crowd, mimed an ultra-cool hair comb then slyly grabbed the microphone and went into the song's first verse. The entire time, his footwork is mesmerizing as he keeps them moving and sliding while his upper body rocks to the groove.

The entire moment feels like history is being made and that Michael Jackson is completely unassailable in the field of song and dance. His stage presence is so phenomenally jaw-dropping that his breathtaking music videos almost seem like a rip-off by comparison. Michael's fashion sense jumps out at you during his masterful performance as well. He sports Black America's latest fad hairstyle; the Jheri-curl. But Michael's isn't like anyone else's. His curl has a few strands that hang down over his forehead and he has "baby hair" along his sideburns. He's five months from his 25th birthday at the time of filming and he has a handsome, brown skin toned face.

He is attired in a very sparkly, rhinestone adorned black shirt and black sequined jacket. He has basic black pants on that are cropped at the ankles to showcase very sparkly rhinestone socks inside his black penny loafers. One white rhinestone glove is worn on his right hand and the entire costume immediately becomes one of his most indelible, signature looks. It all made him look like a larger-than-life entertainer with such colossal talent that everyone else in the industry was essentially playing for second place.

Which he was.

Of course, this legendary performance was the very first time that Michael unveiled his soon-to-be-trademark dancestep "the moonwalk," which he did twice during the song. It was also the first time his single white glove went public. This performance represented him in all his splendor and rising fast to the peak of his powers. The following day after the show, Michael was praised and fawned over by older entertainers that he grew up idolizing as well as millions of fans who immediately flooded stores to get their MJ gear.

Needless to say, this iconic performance fueled the Thriller album into selling unthinkable numbers of copies. It also signaled the unofficial beginning of "Michaelmania" which lasted for another year and a half. He became a cultural obsession. His music was played repeatedly everywhere while replicas of his jackets, shades and glove became instant sellouts. MJ posters and pins were ubiquitous and endless magazine space was dedicated to him.

Those reasons are exactly why I love 1983 so much and look back on that time with great fondness. The world will never forget Michael Jackson, and "Motown 25" is one of the biggest reasons why.

Without question.

Saturday, May 15, 2010

LeBron: Legend In The Faking?

CLEVELAND - Less than two days after the fact, the shock of LeBron James' flame-out continues to puzzle me far more than his top ranked Cleveland Cavaliers losing their series to the rejuvenated Boston Celtics. I'm not even focused on his super-hyped free agency.

His legacy is far more important.

In the stunning Game 5 loss in Cleveland that ignited heavy national debate, LeBron had a lousy game. But as I've mentioned before, it was his lousy effort that was the problem. True, his teammates could have played much better and given him more support. But LeBron is their leader and he sets the tone. It's him that's on the commercials, on talk shows, on the All-NBA 1st Team. It's him that is league MVP for two years running. It's him that has broken records since his rookie season. In other words, his brilliance and status means that he has the responsibility of dominating. Of being excellent even when the shots aren't falling.

Game 6 in Boston seemed promising initially as he came out very aggressive. He still shot poorly but amazingly managed a high triple-double (27 points, 19 rebounds, 10 assists). Those numbers tell a huge lie because James still deferred too much to lesser teammates and played listlessly for three quarters. In the 4th, it seemed as if he was going to go on an offensive binge as he rallied the Cavs by nailing back-to-back cocky 3-pointers. Turns out, it was just a tease as the Celtics pushed their lead back into double figures in no time flat.

With a nagging elbow injury suffered weeks ago, LeBron's shooting woes could have had a valid excuse. However, he refused to mention it as a serious impediment to his offensive game. Even if it was a huge hindrance, it doesn't explain his limp body language, detachment and lack of determination. Remember, those final two games were huge in their importance and the biggest legends in history would have emphatically inflicted their will upon the games. LeBron seemed disinterested in the outcome both times which directly contradicts what he's always been as a basketball megastar.

Since Michael Jordan set the standard for what an NBA legend should achieve, how they should perform and how relentless they should be, it's inevitable that comparisons to him would arise. The NBA playoffs are where MJ made his legend. Even when his teammates were lousy and non-existent, Jordan still stamped the most critical games with his influence, aura and mythology. LeBron has been a regular season darling for years and his team has been the best for the past two seasons. But this playoff series against Boston has exposed LeBron as a pretender. No legend quits (or plays at half-speed) the way he obviously did those final two games which makes one wonder just how committed to his own legacy is he?

There's never any shame in losing or even having a bad game. But there is a truckload of shame when the losing was fueled by your leader, your ace and your cornerstone. For a man so phenomenal, LeBron James sure sucks as a potential legend.

For now, at least.

Wednesday, May 12, 2010

LeBron As Quitter Is Unforgivable

CLEVELAND - I began watching last night's Cavaliers-Celtics game with the assumption that the newly crowned MVP LeBron James would put his fingerprints all over it. You know, by dominating from the opening tip and forcing Boston to beg for mercy by the time it was all over.

How foolish was I?

It wasn't so much that James had a very uncharacteristic 15 points on a putrid 3-of-14 shooting performance from the floor. It wasn't even the stunning numbers which read across the scoreboard at night's end; Celtics 120, Cavs 88. It was far bigger than all of that.

LeBron James was a coward and a quitter. Period.

I absolutely never figured I would see that from him, let alone write those words. But his listless performance, during which he seemed to be totally detached from the massacre that was happening to his team was as jaw dropping as one of his scintillating drives to the basket. His body language sagged and he seemed to avoid getting involved in the offense. Instead, he focused on setting his mis-firing teammates up which is fine on most nights, but is absolutely idiotic in a Game 5 at home with a series tied at 2-2. What's worse is the fact that Boston was clearly on a roll, Ray Allen was dropping 3-point bombs like a raging alcoholic drops shots of free whiskey in a bar. None of that forced LeBron's hand and given his colossal status in the league and larger-than-life basketball brilliance, it did not add up in any way, shape or form.

I understand that even icons have bad games. I was a student of Michael Jordan's career and even he had nightmare games. But Jordan NEVER quit, nor did he ever look disinterested. Put Jordan in the same position as LeBron was in last night, and MJ would've at worst shot the ball 25 or 30 times and even if he was way off on his shot, he would've gotten to the free throw line a good 20 times. LeBron wasn't anywhere near aggressive enough to do that. In fact, he showed zero leadership and let his team and city down.

He quit before he even began.

There has been an incredible amount of speculation as to whether James will stay in Cleveland or bolt to another team in free agency this summer. All I know is, if he does leave the Cavs, the respect that I have had for him all these years will drop precipitously. For a man so phenomenal in the game of basketball, his character would be equally disgusting. This city made him, not the other way around. If he leaves, it couldn't be justified by saying he's frustrated at not winning. It will make him look like a petulant brat who just happens to be an outstanding hoopster.

I hope I'm as wrong about him on this as I was about last night's game.

Friday, May 7, 2010

Remembering Jordan's Historic Cavs Killer

CLEVELAND -  Michael Jordan used a crossover dribble to get open for a most critical inbounds pass, then deftly split two eager defenders as he dribbled urgently to his left. He stopped at the foul circle, jumped and aimed the basketball at the hoop. He hung, double pumped and shot the ball over the valiant, yet futile defense of Craig Ehlo.

Buzzer sounds. All net.

It was a hard-to-believe 21 years ago today that the aforementioned events took place in the space of just a few seconds on a basketball court 30 miles south of Downtown Cleveland. Jordan, a 26-year old basketball juggernaut famously authored what is still succinctly known as "The Shot," and the impact of that game and that moment had been felt for many years afterwards. It changed the fortunes of the two franchises involved; Cleveland's Cavaliers and Chicago's Bulls. For the Bulls, it infused a great surge of confidence and catapulted them to a second round ouster of the New York Knicks and a very courageous stand against the eventual champion Detroit Pistons. Within two years, Chicago evolved into NBA champions themselves and dominated the 1990's with six titles in eight years.

The Cavs, meanwhile were never as imposing or outstanding as they were during the 1988-89 NBA season. Jordan's demoralizing shot seemed to deflate their air of excellence. Cleveland had a couple good seasons in the early part of the '90's, but mostly, they fell apart and became bland and very beatable. Their fortunes seemed to be looking up in 1997 when they acquired all-star Shawn Kemp, but his one good season was followed by more team mediocrity.

It all hit bottom in 2002-03 when the Cavs finished with a horrible 17-65 record. That season's awful showing had a silver lining, though. Highly coveted prep star LeBron James was the top prize in the 2003 NBA draft and the Cavs, through pure luck earned the first pick. Of course, they drafted James and four years later, they advanced to the NBA Finals for the first time ever. They wound up losing to the Spurs in a 4-0 sweep, but they are currently among the favorites to capture the 2010 NBA title.

Even though a generation has passed since MJ's heroics, the after effects still amaze me. It was the first, truly clutch moment of his career, and it can be argued that it set the table for the path to LeBron.

I know that thinking is out of this world, but so was The Shot.