'Bad' Era Featured New and Improved Michael Jackson

CLEVELAND - It was 25 years ago today that the great Michael Jackson revealed a brand new album, style, music video...and most of all, ambition.

It was the start of a new era.

Jackson's 7th solo album, Bad was the catalyst in his remarkable transformation. As the highly anticipated (and long awaited) follow-up to the Thriller album, the LP, and Jackson himself had an enormous standard to live up to.

First, the 29-year old icon debuted a brand new physical appearance. The last time the world saw him, he was fighting off evil forces in outer space in the made-for-Disney short film "Captain EO." That had been a year in the past when MJ still (mostly) resembled his Thriller-era self, with the exception of slightly lighter skin. Now with the release of Bad, his skin had taken on an even lighter hue, his curled hair was now shoulder length and of course, he now sported a much talked about cleft in his chin. Personally, I was very enthusiastic about Michael's new appearance when I first saw it back then and I now see it as another inventive aspect of his singular style.

The best part of MJ's new look was his hip, street-styled attire. Gone were the sparkly glove and jackets that was his signature style during "Era Thriller," and "in" was multiple belts, buckles and boots. Fitting in with the theme of the new album's title track, Jackson certainly took on a pseudo-"bad" persona.

The lead single from the LP, a syrupy duet with Siedah Garrett called, "I Just Can't Stop Loving You," had been released nearly two months prior to the full release and built on the public's thirst for a new MJ offering. Since it had been almost five full years since his last album, interest was sky high.

Naturally, Michael delivered.

The music videos for this album built on the innovation that Jackson used to groundbreaking success during the Thriller years. He entered into a creative phase in his career that saw him take far more control in the conceptualization and production of his work. Tracks such as "The Way You Make Me Feel" and "Dirty Diana" were dynamic in their style and brilliantly infused pop music with R&B and hard-rock to form a masterpiece of sonic diversity. "Man in the Mirror" ended up becoming Jackson's signature anthem as a significant humanitarian and "Smooth Criminal" re-enforced his cinematic storytelling skills and old Hollywood sensibilities.

Massive support for Bad was achieved with the outrageously successful "Bad World Tour" which began in September '87 and continued all the way until January '89. This is when Michael truly became a global figure of reverence as it was his first tour as a solo artist. Crowds all around the planet were mesmerized by his dancing, singing and overall showmanship and the gigantic press it garnered expanded his popularity to even more unthinkable heights. Pepsi Co., who sponsored the tour and had enjoyed a very successful partnership with Jackson since 1983, even produced a series of television ads complete with special effects, story-line and cliffhangers. This was yet another example of the legendary creativity that was a hallmark of Michael Jackson's special qualities as an entertainer.

Jackson, in addition to the 10-track album (11 tracks on the CD), released 7 highly memorable short films for their respective songs as well as an autobiography in spring 1988 called, "Moonwalk." He later released a VHS anthology film entitled, "Moonwalker" which featured an extended version of the short film for "Smooth Criminal." He was certainly the most ambitious, imaginative entertainer in the world at this time and I gained a new level of admiration for his work.

Of course, the seismic achievements of Bad's predecessor Thriller could never be topped, not even by Jackson himself, at least in terms of sheer numbers. But in terms of scope and substance, nearly everything about the Bad era at least challenged (and in some cases surpassed) the Thriller era. No, the album didn't sell 100 million copies worldwide like Michael had hoped. No, it didn't dominate the awards shows the way Thriller did (and with the enormous surge in public interest in hip-hop at that time, how could it?). What it did do, however, was take the evolution of a classic entertainer to even greater heights of artistic craftsmanship. It also raised the bar in the industry and proved once again that Michael Jackson was a peerless visionary of the highest order.

What a legacy.

Michael Jackson's 54th Birthday Anniversary: A Celebration of Greatness

CLEVELAND - For a man who made such an enormous impact on our planet during his lifetime, Michael Jackson will forever deserve to be honored for the amazing individual that he was.

Especially on the anniversary of his birth.

Today marks what would have been MJ's 54th birthday and his still-rabid global fan-base is celebrating the incredible and highly publicized life of the greatest entertainer in history.

In spite of Michael's very tragic, far too premature death three years ago, his indelible artistry retains a very prominent place in pop culture. This year alone has seen his career and style celebrated in many different forms from an acclaimed Cirque du Soleil stage show to a worldwide Pepsi campaign commemorating the 25th anniversary of Jackson's smash hit album, Bad.

November 30th marks the 30th anniversary of his historic Thriller album, and there are sure to be massive tributes for that landmark LP as well.

What should be remembered and celebrated most about the career of Michael Jackson is the remarkable level of originality that it possessed. His imitable style choices went hand-in-hand with his magical aura of musical proficiency and mesmerizing dance moves. Furthermore, he took elements from old Hollywood and merged them with contemporary street culture, then added his own inventive flourishes. This is what the singers and dancers of today are missing; Michael possessed the total package and was the seminal leader of a music generation that followed him religiously and industry peers who focused on trying to outdo him.

He never surrendered the throne. Though his sparkling reputation took major hits due to his sensationalized personal life, Michael Jackson was always the man who set the standard.

Myself and the multi-millions of his fans around the world will never forget that. Happy birthday, Michael.

20 Years Later, 1992 Dream Team Still Gold Standard

CLEVELAND - During the past several months, much has been made about the 1992 U.S. Olympic Men's basketball team and the historic confluence of talent which it was comprised of. Since today marks the 20th anniversary of their gold medal victory over Croatia, I will simply add to the discussion.

That group remains the greatest team ever assembled.

When I make that statement, I am not necessarily suggesting that the iconic team could "mop the floor" with any hypothetical opponent it could face. However, I'm not exactly saying they couldn't, either. Since this year's Olympic Men's basketball team is populated by the likes of such present day megastars as Lebron James, Kobe Bryant and Kevin Durant, the current debate has centered heavily on whether or not the '92 team could maintain its legendary reputation against the new guys, or if the '12 team could outdo them.

The opinions are divided, predictably, along generational lines. Bryant, the new millennium's version of Michael Jordan in both competitiveness and hoops skill, stirred the pot a few weeks ago when he opined that he and his mates could "beat [the Dream Team] one time." Newly crowned NBA champion James echoed those sentiments days later. Naturally, Jordan scoffed at the very concept of such a thing when he was asked his opinion. Fellow Dream Teamers Charles Barkley and Earvin "Magic" Johnson also articulated their support for their 1992 selves in a fictional match-up with this year's squad.

Far as I'm concerned, the 1992 team was one of absolute royalty; it doesn't matter that both Johnson and Bird were beyond their prime. What matters is that Jordan was 29 and clearly the most dominant and devastating player on the planet. Pippen was 25 and was at his best as an all-around defensive stopper/versatile athlete and triple-double threat. Barkley was 29 and in full "beast mode" in the low-post. Clyde Drexler was coming off the best season of his career and was a 30-year old "poor man's version" of MJ. David Robinson was a 25-year old, 7'1 center who was quick, athletic and highly skilled on both offense and defense. Patrick Ewing was still in the midst of his best NBA years as was the incomparable scoring/rebounding/passing/defending duo of John Stockton and Karl Malone. Chris Mullin was about as good as it gets as a sharpshooter and the team's curious choice, Christian Laettner, had just come off one of the most celebrated college careers in recent memory.

I bring all that up to extol the awesomeness of those players and their then-current resumes. A collection of stars as accomplished and highly skilled as those men hasn't been seen since, not even with this current team. Bryant, as outstanding as his 16 years and counting NBA career has been, still isn't as historically significant as Jordan was in half as long (MJ had just completed his 8th NBA season prior to the '92 Olympics), nor has his game ever been as dynamic and brazen. Johnson and Bird, though past their prime still possessed an aura and reputation that trumps anything any other later team possessed. In other words, it was about more than just great skill and talent on that '92 team. It was also about the privilege of watching these indelible, mythical hardwood heroes join forces and witness their transcendence and artistry take over.

I know I sound a little too magnanimous in my praise of those guys, but they left an impression on me, one of reality and fantasy, that I won't soon forget.

And they remain the "gold standard" in the history of team basketball.